Based on interviews with young women who were kidnapped by Boko Haram, this poignant novel by Adaobi Tricia Nwaubani tells the timely story of one girl who was taken from her home in Nigeria and her harrowing fight for survival. Includes an afterword by award-winning journalist Viviana Mazza.

A new pair of shoes, a university degree, a husband—these are the things that a girl dreams of in a Nigerian village. And with a government scholarship right around the corner, everyone can see that these dreams aren’t too far out of reach.

But the girl’s dreams turn to nightmares when her village is attacked by Boko Haram, a terrorist group, in the middle of the night. Kidnapped, she is taken with other girls and women into the forest where she is forced to follow her captors’ radical beliefs and watch as her best friend slowly accepts everything she’s been told.

Still, the girl defends her existence. As impossible as escape may seem, her life—her future—is hers to fight for.

When the Fog Lifts is a racy, yet intimate account of the author’s experience in a toxic marriage. Her overly protective childhood does not prepare her for the realities of life.
Now caught between an emotionally abusive husband and childhood memories of a very different situation with her parents, Seme gives a brutally frank account of her experiences.

In her first book, Seme Unuigbe-Eroh invites you on her journey from a life filled with chaos and confusion to a life of freedom and endless possibilities.

Never shying away from the hard truths about what it takes to grow, Seme is transparent and vulnerable, which is freeing and a breath of fresh air and will inspire you to make the changes needed to find real and lasting freedom.

DCT agent Patrick Emenalo returns to work on the same day there is a bombing at a popular fast food joint in Lagos. Dark Cell, a terrorist group, claims responsibility and demands the release of Red Baron, arms smuggler and crime boss.

Patrick, caught in a game whose rules are set by shadowy crime syndicate, The Orchid, must race against time to stop the terrorists before they strike again.

Fast-paced and seamlessly written, Onyekwena’s debut takes bold steps into the widely uncharted world of organised crime in Lagos.

Ebinimi, star mechanic of Kalakala Street, is a man with a hapless knack for getting in and out of trouble. Some of his troubles are self-inflicted: like his recurring entanglements in love triangles; and his unauthorised joyriding of a customer’s car which sets off a chain of dire events involving drugs, crooked politicians, and assassins.

Other troubles are caused by the panorama of characters in his life, like: his sister and her dysfunctional domestic situation; the three other mechanics he employs; and the money-loving preacher who has all but taken over his home.
The story is fast-paced with surprising twists and a captivating plot – a Dickenesque page-turner.

This is Ebinimi’s story but it is about a lot more than him. It is an exploration of the dynamics between working-class people as they undertake a colourful tour of Yenagoa, one of Nigeria’s lesser-known cities, while using humour, sex, and music, as coping mechanisms for the everyday struggle.

It is a modern-classic tale of small lives navigating a big city.

A Broken People’s Playlist is a collection of short stories with underlying themes so beautifully woven that each story flows into the other seamlessly.
From its poignant beginning in “Lost Stars” a story about love and it’s fleeting, transient nature to the gritty, raw musical prose encapsulated in “In The City”, a tale of survival set in the alleyways of the waterside. A Broken People’s Playlist is a mosaic of stories about living, loving and hurting through very familiar sounds, in very familiar ways and finding healing in the most unlikely places.

The stories are also part-homage and part-love letter to Port Harcourt (the city which most of them are set in). The prose is distinctive as it is concise and unapologetically Nigerian. And because the collection is infused with the magic of evocative storytelling, everyone is promised a story, a character, to move or haunt them.

Osasé has a secret she cannot share.

Not even with her two sisters and mother, as they all battle to cope with the complexities of sisterhood, the fragile balances in mother-daughter relationships, and the deep scars of marriages gone awry. The story traces Osasé’s girl-to-woman journey of self-discovery from Kano, to Abuja, to Grenoble, and her fight for survival as her life slowly comes undone at the seams. The heartwarming narrative is reminiscent of ‘Little Women’ but modern, urban, and with a blindsiding twist in the tale.

‘The Days of Silence’ is a poignant coming-of-age story about identity, the unbreakable bonds of family, displacement, survival, and the triumph of a woman’s spirit.